Åsa Sjöberg

Many thanks to The Spank Statement’s Swedish reporter who sent me this great video clip, and also supplied the following information:

“Her name is Åsa Sjöberg, the show was called “Prat om sex” (Sextalk) and the guest who beat her was an (in)famous Danish priest/minister called Ingrid Monsen who was well known for three things:

  1. She was a lesbian.
  2. She was into S&M.
  3. She lived – at the time – with an eighteen-year-old schoolgirl.

In the clip, she says that she beats her girlfriend with a carpetbeater and “there are days when she has a hard time sitting at school.”

I liked her a lot. She was fun and outrageous. But she seems to have disappeared. I can’t find her on google…well, her heyday was the early nineties…

Ms Sjöberg on the other hand got rid of a rather bimbo-ish image and is now program director at the second largest tv-company in Sweden.”

David Lodge’s Deaf Sentence

This will be the last Spank Statement for a couple of weeks as I’m taking a little break. But there’s no need to feel lost without your favourite spanking blog. Just relax, enjoy some light late summer reading with a decidedly kinky twist and it’ll be September before you know it.

*****

An English linguistics professor is reluctantly coaxed out of retirement to give some tuition to Alex Loom an American postgraduate student. The first time he visits her apartment Alex hides a pair of her panties in his jacket pocket. When he discovers a number of books in the university library defaced with marker pen – one of his personal bug-bears – he soon tracks down the culprit…

‘I’ll go make some tea,’ she said, getting to her feet. ‘Assam, right?’

While she was in the kitchenette I stood up to stretch my legs and wandered over to look at the contents of the bookshelves. As I passed the table which served as her desk my glance fell on a turquoise felt-tip highlighter lying in a small tray with a number of pens and pencils.

I pretended to carry out my intention of examining the books on the bookshelves, but I did not take in the titles inscribed on their spines. I told myself it was just a coincidence, that turquoise highlighters were ubiquitous, and I must not jump to conclusions, but some instinct told me that this was the murder weapon, covered with fingerprints and dripping with blood. Then my eye was caught by a familiar paperback on one of the shelves Analysing Discourse: An Introduction, by Desmond Bates. I took it down and opened it. Alex’s name was written inside the front cover in small, neat handwriting: ‘Alex Loom’. I flipped through the book. On many pages passages of the text had been highlighted in turquoise. Hearing the tinkle of tea things being placed on a tray I hastily replaced the book on the shelf, and returned to my seat.

Though I tried to remain calm, Alex obviously noticed some change in my demeanour when she came back into the room. ‘You’re looking very serious,’ she said, as she poured the tea. ‘Is there something about my chapter you’ve been holding back?’

‘Not about the chapter, no’ I said ‘I was wondering if you know a book called Document Analysis by a chap called Liverwright.’

‘Read it!’ she said triumphantly.

‘Have you got it here?’

‘No, it was a library copy. Much too expensive to buy, and anyway I didn’t get a lot out of it.’

‘The University library?’ I asked.

At this point she picked up the inquisitorial tone of my questions and paused for a second before replying. ‘Yes. Why d’you ask?’

‘Well, I happened to borrow the library’s copy myself the other day and I found that it had been defaced by some previous reader. It was covered in marks made with a turquoise highlighter.’

‘Really?’ She didn’t blush or show any other sign of guilt. Her bright blue eyes met mine without wavering. ‘it was unmarked when I borrowed it.’

‘Then perhaps you marked it,’ I said.

She laughed, but it was a forced laugh. ‘What makes you think that.’

‘I noticed a turquoise highlighter on your table.’

She laughed again. ‘They’re quite common, Mr Holmes,’ she said.

‘And I just had a look at your copy of my book on discourse analysis, which is marked in the same way.’ She dropped her eyes and said nothing. ‘Of course you’re perfectly entitled to mark your own books in any way you like,’ I went on. ‘But doing that to a library book is sheer vandalism.’

‘I forgot it was a library book,’ she said. ‘I was working late, very tired, going from one book to another, some mine, some library copies…’

‘You don’t expect me to believe that,’ I said.

‘It’s true. I didn’t do it maliciously. Anyway, is it such a big deal? It’s not as if I ripped the pages out of the book. It’s still readable.’

‘it’s the principle of the thing,’ I said, getting to my feet.

‘Oh, don’t go!’ she said urgently, getting up too, and looking as if she might at any moment fall to her knees, ‘Don’t go while you’re angry with me.’

‘I’m not angry.’ I said. ‘I’m embarrassed.’

‘Tell me what to do. I’ll do anything you say. I’ll buy a new copy for the library.’

‘That would be a good idea, certainly. But how many other books have you vandalised?’

‘None!’ she said. ‘Trust me.’

”I’m afraid I could never trust someone who would make irremovable marks in a library book,’ I said.

‘Oh, for heaven’s sake, Desmond!’ she said with a pouting smile. trying a change of tack. ‘Just listen to yourself.’ “irremovable marks in a library book…” Lighten up!’

But I was not to be teased out of my anger. ‘And after that foolishness with your underwear the other day… I’ve had enough.’ I said. ‘I’m leaving now, and I won’t be coming back. Or giving you any more advice about your research.’ I picked up my document case and closed it, leaving the copy of her chapter on the coffee table.

As I pulled the front door shut behind me I heard a sound as if she had flung the tea tray and its contents across the room.

*****

25th November. I didn’t imagine Alex would accept the severance of relations between us without an attempt at reconciliation. I thought she might offer to return my umbrella, and make that the pretext for another meeting. Instead I got this email from her this morning:

Dear Desmond,

You’re right to be angry, it was a despicable thing to do, a stupid, lazy, selfish, moronic thing, and I deserve to be punished for it. I want you to punish me. Come to my apartment at the same time on the same day next week. If you can’t make it, email me your free afternoons an I’ll choose one. Come to Wharfeside Court, and at exactly three o’clock ring my bell three times. I won’t answer on the intercom, but I’ll open the entrance door – you’ll hear the buzzer. You’ll find the door of my apartment unlatched: just push and it will open. Close it behind you and release the latch, so it locks. Don’t call out. Say nothing. hang up your coat in the lobby. Go into the living room. The blinds will be down and it will be in semi-darkness. Don’t switch on the main light. There will be a table lamp with a red bulb switched on. You’ll see me bent over the table, with my head on a cushion. I’ll be naked from the waist down. Say nothing. Come up behind me and position yourself to spank my butt. Take off your jacket and roll up your shirtsleeve if you like. Don’t try to fuck me. This is NOT an invitation to fuck me, but to punish me. Use just the flat of your hand, no stick or other implement, but hit me hard as you like, as many times as you like. If I cry out, if I sob in the cushion, don’t stop. Get the anger out of your system. When you’ve had enough, when you feel purged, just leave, silently, as you came. Pull the door of the apartment shut behind you, and leave the building.

The next time we meet we will say nothing about what has passed, or about the library book. The file will have been closed. We can carry on as if nothing had happened. This is good.

Alex

I must have read this through half a dozen times and every time I had an erection. I have no intention of keeping the proposed appointment. But I can’t get the Sadean scenario out of my mind. It is so easy to picture myself approaching the apartment building, as if in a film, checking my watch, pressing the bell push for flat 36 three times at precisely three o’clock, hearing the buzz and click as the lock on the entry door is released, ascending to the third floor, stealthily entering the apartment, closing the door behind me, taking off my coat in the almost dark hall, lit only by a dim red glow from the living room. When I enter the room it is exactly as she described: the blinds are down, the room illuminated by a red lamp in one corner, and there she is, bent across the table, her head turned side-ways on a cushion, away from me so that I cannot see her face, the waist down, except for a pair of shiny black high-heeled shoes (a detail my imagination added), her rosy buttocks exposed. I take two hands adjust the angle of her hips and lightly caress the curve of her buttocks, like a dog fancier steadying his trembling thoroughbred for display. I draw back my arm and then swing it forward, bringing my open palm smack into contact with her bottom. The sound and the sensation of my flesh against her flesh explodes in my head. I hear her gasp. I let my hand rest for a second where it landed before withdrawing it and smacking her again, and again, and again, pausing deliberately between each smack, favouring one cheek, then the other, in alternation, each time letting my stinging hand rest a little longer where it landed…

I have never had such a fantasy before. How did this woman intuit that somewhere in my psyche it was lurking, unsuspected, only waiting to be released.

1st. December. Today was the day Alex had appointed for her ‘punishment’. I became increasingly nervous as the hour of three o’clock approached. I was alone in the house, and paced restlessly from room to room, glancing at the clocks in each of them. I had decided that the best response to her bizarre proposal was to ignore it, but now that seemed like a mistake. She had asked me to reply only if I wanted to change the day, so she might easily have interpreted my silence as agreement. I imagined her preparing the flat, closing the blinds in the living room, setting up the red table lamp in the corner, then stripping her lower limbs and bending over the table with her face resting on a cushion, waiting for my ring on the entry phone – no, I revised the scenario, she wouldn’t bend over the table until she had heard my ring and admitted me to the building, but she would be naked from the waist down, ready to take up her position at the table at once. So now she might be pacing anxiously like me, but half-naked, or sitting on the sofa with her bare knees together, like the adolescent nude in the Munch picture, waiting, wondering if I would come. Perhaps she would go to see if I was coming along the towpath. How long would she wait after the hour of three before she realised I wasn’t coming, and got fully dressed again? How foolish would she feel? How angry? What would she do next?

At about four-thirty the phone on my desk rang, I jumped, and picked it up without first putting in my hearing aid. It was Alex, of course.

‘You didn’t come,’ she said.

‘No,’ I said.

‘A pity. It would have been good for both of us’

*****

Later, there’s a nice scene between Desmond and his wife:

Over the chicken casserole I had prepared for us, and another glass of wine, she told me, with giggles, Jakki’s confidential account of her sex life with Lionel. Apparently they have erotic theme nights from time to time, dreamed up by him. For instance an Indian Night with incense burning in the bedroom, a raga on the tape-recorder, and the illustrated Kama Sutra open for reference on the bedside table, or a Japanese Night; sexual congress on a mat with cushions, with little cups of sake to hand for refreshment. Or Italian sex, with Amoretti sweetmeats to nibble, Asti Spumante to drink, and Puccini arias as background music. We amuse ourselves with thinking up additional themes that would test their imagination and/or stamina: Eskimo Night, Roman Orgy Night, D.H. Lawrence Night…

Later in the bedroom, as we came naked from our respective bathrooms and embraced, she said: ‘If you did have a theme night what would it be?’

I said ‘Spanking Night.’

She drew back her head and stared ‘Darling!’ What an idea! Who would spank whom?’

I would like to spank you’ I said, ‘but I suppose we could take turns, if you fancy it.’

She laughed almost hysterically. ‘You want to take me over your knee? Wouldn’t I be a bit heavy?’

I looked round the room. ‘You could clear the top of your dressing table and bend over that.’

She gave me quite a hard slap on the bottom, and I yelped, ‘Ow!’ You see?’ she said. ‘You wouldn’t really like it.’

‘You took me by surprise,’ I said, ‘but the effect is actually quite stimulating. Look.’

Grinning, she gave me another, harder slap. I retaliated. Struggling and laughing, we collapsed on to the bed. Later, not laughing, I did to Fred what Alex had forbidden me to do to her, closing my eyes and imagining myself in that red-lit room. It was the best sex we have had for a long time.

The Ride Across Lake Constance

Nigel Hawthorn spanks Nicola Pagett with a crop in a production of The Ride Across Lake Constance by Peter Handke at the Hampstead Theatre Club, London (13th November 1973).  Shame about the watermark, but this is still a great new find by Martyn. who says that he “always thought that Nicola Pagett had a very spankable bottom.”


She is best known for her role as Elizabeth Bellamy in the 1970s TV drama series Upstairs, Downstairs. I couldn’t find out why she gets spanked in this play but her character is described in a review as a “perverse ingenue” so perhaps she simply asks for it.

I found another picture from the play which shows her holding the same implement with another male actor in close attendance .

Blas Gallego

Born and based in Spain, Blas Gallego is one of the European grandmasters of pin-up art, both in illustration and comics.

He was most active as an erotic comic artist during the 1980s when he contributed to Dossier Negro and Penthouse amongst many other publications. ‘The Spanking Good Tales of Dolly first appeared in the Spanish adult comic Totem, el Comix.
Unlike the similar Eric Stanton who also worked for Penthouse and often featured CP in his work, Gallego doesn’t seem to have had much of an interest in this theme. Dolly, most disappointingly, isn’t shown being spanked at all, but the octopus cover is still an all time classic. There is one amusing Dolly tale with an S/M theme however (see second picture below).
I’ve included a few more tales in which Dolly’s voluptuous bottom makes an appearance. The final ape drawing is the closest I’ve found to an OTK picture by Gallego.

More Shakespeare

I’m sure you remember the “Spankbotty Shakespeare” act that was featured on Britain’s Got More Talent earlier this year. That performance was toned down for a family friendly television audience, but now for the first time online you can watch a full version of the act as performed in late night comedy clubs. It’s a seven minute long extravaganza with a pair of comely maidens being taught an unforgettable lesson in the rhythmic power of the iambic pentameter. (With a bit of luck this one might even keep Father Jon happy!)

Many thanks to the great man himself, Mr Jonathan Hartman, for tipping me off about the video. If there’s any justice, the entertainment industry will reward his comedic talents with plenty more TV appearances in the future.

Whoops Baghdad

And talking of over-the-shoulder lifts (see previous Spank Statement):

Another very spankable lady of this era was Hilary Pritchard who had a marvelous sexy voice and in my opinion just about the best bottom I have ever seen! If you ever see ‘Whoops Baghdad’ starring Frankie Howerd her bottom is brilliantly showcased as she is put over the shoulder of Derek Francis – so effectively you are seeing her bent over in a harem outfit – might well get the dvd of the series when I get some spare cash!

Martyn sent me these thoughts in an email recently – the era in question being the early 1970s. So today, with the help of Harry who kindly sent me the stills and WordPress’ awesome slideshow feature, I’ve arranged a little surprise for him.

The guy is actually Alan Curtis, who was the regular heavy in Frankie Howerd shows.(Derek Francis played her father.) Harry said he couldn’t resist capturing the last one with hand and bottom in shot together, but the former never makes contact with the latter.

This slideshow requires JavaScript.

Stefanie Powers in Lancer

Lancer was a 1968-1970 Western television series, which starred Andrew Duggan as a father with two half-brother sons, an arrangement similar to the more successful Bonanza. Wayne Maunder was cast as Scott Lancer, the educated older son who gets to spank the lovely Stefanie Powers in an episode called ‘The Black McGloins’.

This was Stefanie Powers’ second screen spanking, which I didn’t even know had happened until JS666 left a comment on an earlier post about actresses who have been spanked more than once. In fact, it seems to owe quite a bit to the climax of McLintock the film in which she got her first spanking. There’s a similar chase with slapstick moments and pratfalls before the final reckoning in a barn, but thankfully no coal scuttle! (Some might say that Powers deserves all she gets for that terrible Irish accent if nothing else) The “shameful” incident at the water-hole by the way refers to her being caught skinny-dipping.

Fans of Stefanie Powers must also watch “Zee” the other episode of Lancer in which she guest stars. It has her playing “a tomboyish hellion who is caught robbing a store”. Hellion is just the right word, and if ever a woman needed the fires of hell injecting into her bottom, it’s Powers’character in this episode. The script must set a world record for the maximum number of spanking opportunities per minute. For anyone who enjoys watching grown women acting naughty (as I do) this is ESSENTIAL viewing. And she looks fantastic too, in her absolute prime. (Don’t forget that she made No 18 in my Spanked-in-Movies Hotlist. Probably should have been higher!).

And even though a much deserved spanking No 3 doesn’t quite happen, Stefanie gets a great over the shoulder carry from Maunder with her famous twice-spanked denim clad rump satisfyingly presented to the long suffering viewer.

You can start watching Zee here

Thora Birched

Hollywood Star – English Cane

This is a clip for which I’ve had a quite a few requests. It’s not every day you get to see a major Hollywood star bent over and CANED on live TV, but that’s precisely what happened when Thora Birch appeared on TFI Friday – a British music and chat show hosted by Chris Evans.

Now at last you can watch the video clip as broadcast in 1999. (there’s a short M/M scene at the beginning)

 

At the time, Thora Birch was promoting American Beauty which is probably her best known movie to date. She was a child actor starring in movies such as Hocus Pocus (1993), but by the late 90s she had moved on to more mature roles, (she has a topless scene in American Beauty). In Ghost World (2001) she was especially spankable as a geeky teen with attitude problems alongside a youthful Scarlett Johanssen.

She was seventeen when she was caned on TFI Friday.

Another Love Story

A few weeks ago on Chross’ forum, Spankeroutoflurk made a request for information about the stage play Another Love Story by Frederick Lonsdale. He had heard what amounted to little more than a rumour that the drama contained a spanking scene. With the help of some dedicated theatrical research carried out by Harry and an actual eye-witness account from Murray Roberts, I can now reveal the FULL story behind this little known piece of spanko dramatic history…

Another Love Story was a comedy of romantic entanglement and near-adultery, in which Michael Foxx attempts to seduce his ex-girlfriend Diana Flynn. The play premiered in October 1943 at the Fulton Theatre, New York (now the Helen Hayes Theatre), where Lonsdale spent the war years. It had financial backing from Lonsdale’s friend Joe Kennedy (father of JFK) and ran for 104 performances and the cast included Philip Ober as Michael and Margaret Lindsay as Diana; Lonsdale himself directed.

Margaret Lindsay

A first night reviewer explains the relevant part of the plot: ‘There is a bedroom scene … which finds the former lady love of the hero summoning him to her bedroom in order to show him up as the cad he undoubtedly is. Since the fellow learns of the scheme, he withstands her blandishments and finally gives her a resounding spanking for her pains.’

The bedroom set in the 1944 H. M. Tennent production

There was a proposal to make the play into a movie, but it fell through. It got its first British exposure with a BBC radio broadcast of an excerpt from the New York production on April 23, 1944. The London production by H. M. Tennent opened at the Phoenix in December 1944, with Anton Walbrook as Michael and Judy Campbell as Diana. It got bad reviews and closed after a few weeks.

Judy Campbell

No pictures of the respective spanking scenes have ever surfaced, and the play would have been long forgotten were it not for an unlikely modern revival in a provincial theatre in the UK.

Edward Fox, whose mother was Lonsdale’s illegitimate daughter, directed Patrick Fierry as Michael and Lalla Ward as Diana at the Leicester Haymarket in 1990. A chance remark by a critic in The Observer set pulses racing:

“I enjoyed seeing Lalla Ward having her bottom smacked, but only because it was the least she deserved.”

This must have caused a few double-takes over the Sunday morning breakfast table not least because Lalla Ward was best known as a sexy Doctor Who girl! According to Murray Roberts, the line was enough to draw the cognoscenti to Leicester “like iron filings” (to a magnet)!

Lalla Ward in Doctor Who

But before booking any train tickets, they checked out the script and discovered, to everyone’s dismay, that the spanking was administered “in complete darkness”:

At one point in the bedroom scene, Michael remarks that, if she were in old Yugoslavia and cheated, she would get her throat cut, whereas ‘The most that would happen to her today would be three hard smacks on the backside.’

DIANA (laughs): I would rather have my throat cut.Michael puts out one light, looks at her, puts out another, walks towards her slowly and deliberately.
DIANA: If you come an inch closer, I shall scream!
Michael turns the light out. The stage is in complete darkness.
DIANA: What are you doing? Go away, you beast, go away!

MICHAEL: Would you, Diana?

DIANA: Don’t be ridiculous – any woman would!

MICHAEL: Well, well, well! I find that most interesting! It’s a pity you never went to Yugoslavia.

MICHAEL: Scream! I tell you! [Walks slowly towards her] When you tell the story I shall be contemptible forever. But for your sake I will bear it. [Puts his hand on the light alongside the bed. ]

DIANA (in anguish ): Go away, go away, do you hear? Will you leave that light alone?

MICHAEL: Will you stop loving me so much, you little beast?

Three loud smacks are heard. Diana is heard screaming.

DIANA: You beast! You beast! You beast!

Mercifully for those who made the trip to Leicester, the spanking WAS visible. As Murray wrote at the time:

The kindly director allows us enough “moonlight” to filter through the bedroom windows for us to see him (Fierry) sieze Miss Ward by the shoulder, turn her face down on the bed, and apply four hearty smacks to her silk clad bottom. She squeals at each one and calls him a beast. The following day she derides him for his cowardice in striking a woman, and he replies “Nonsense, it takes far more courage to hit a woman than a man. That’s why so few women are hit.”

Another eye-witness account said that:

There were four smacks (contrary to the script) and the impact resounded through the theater. Lalla’s white panties were visible through her white silk nightdress but she was otherwise unprotected.


Lalla Ward and Patrick Fierry in the 1990 production

Harry offers this interesting footnote:”The extract above is from the British version of the script, approved by the Lord Chamberlain. It is known that in the 1930s and 40s, the Lord Chamberlain’s office often frowned on spanking scenes. (There are several examples of comedies of this period being rewritten to relocate spankings offstage.) So it is possible that the darkening of the stage was not a part of the script as it played on Broadway.

Lalla Ward is still best known as a Doctor Who girl, and she wore a school uniform in one episode (City of Death), and later told an interviewer:


“I’d wear it twice as enthusiastically now just to annoy the politically correct. I’d wear a shorter skirt and be provocative and irritate the women and the politically correct.”

In 1975, Lalla appeared in the Otto Preminger movie Rosebud. She played one of five pampered millionaire’s daughters vacationing aboard the luxurious yacht Rosebud. Their vacation is shortlived, however, as the yacht has been targeted by a group of Middle Eastern terrorists who kidnap the girls and hold them as hostages until their demands are met.

The five girls (including a teenage Kim Cattrall and Isabelle Huppert as well as Lalla) are made to line up on the deck naked to be filmed for a ransom demand. There is a rear view shot of them emerging from the inside of the boat and Lalla’s bare bottom is the most central and gets the most screen time.

Nighty Night

Nighty Night is a British sitcom written by and starring Julia Davis. Notorious for its excessively dark humour, the show follows narcissistic sociopath Jill Tyrell who manages a beauty parlour.

When she runs into a simpleton, Glen Bulb, she discovers that the deaths of his parents have left him extremely wealthy. As she pretends to fall in love with him, she coyly asks “Are any of your two houses nearby?”

In this scene she tries to seduce him with a kinky schoolgirl routine.

According to the BBC website, “Glen describes his personality as Scottish, and he’s not fussy when it comes to women. As long as they have two eyes and a nice personality… he’s not so keen on bottoms though.”

Perhaps that explains why he doesn’t take advantage of the fantastic opportunity presented to him here…

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